Each week, Tyler Kline journeys into new territory and demystifies the music of living composers on Modern Notebook. Listen for a wide variety of exciting music that engages and inspires, along with the stories behind each piece and the latest releases from today’s contemporary classical artists. Discover what’s in store on Modern Notebook, every Sunday night from 8 to 10 on Classical WSMR.
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Photo courtesy of the artist.Coming up on the next Modern Notebook with Tyler Kline: The concept of “drishti” has become known in the West through the practice of yoga. It describes a focused gaze, usually on a single point. Reena Esmail’s solo violin work of the same name also has “drishti;” a series of miniature movements interconnected by a focused note in the form of a high E harmonic.Then: Amy Beth Kirsten’s saxophone quartet work “avalanche lily” is music inspired by the Wyoming countryside, with movements specifically named after regional wildflowers. It’s a work that weaves through bluesy harmonies, pops, shrieks, and squeals, chant-like moments that smear across pitch contours, and a kind of prismatic architecture across it’s five movements. -
Mariah Tauger/Mariah TaugerComing up on the next Modern Notebook with Tyler Kline: Gabriela Lena Frank’s “Quijotadas” takes its name from the Spanish word for extravagant delusions wrought in the Quixotic spirit. It’s inspired by what many consider to be the first modern novel – dating back to the 16th century – telling the tale of a nobleman who undertakes absurd adventures in pursuit of romance.Then: Tyler will be joined by composer Chihchun Chi-Sun Lee, who has been commissioned for a new work by the Tampa-based group Contemporary Art Music Project. A 2015 Guggenheim Fellow, Lee’s work often blends East Asian traditional instruments with Western Classical ensembles.
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Coming up on the next Modern Notebook with Tyler Kline: hear a Piano Quintet by Adolphus Hailstork that pays homage to the city where he established his career as a composer: Detroit. And throughout the first three movements of the work, the composer describes the city with movement titles like “Detroit Grit,” “Detroit Nocturne,” and “Detroit Rise.”Then: Greek mythology has proven to be a constant source of fascination and inspiration for composer Eleanor Alberga. And her interest in the subject matter may be most evident in her work for orchestra, “Mythologies,” in which each movement serves as a portrait of a figure from Greek and Roman mythology. -
On the next Modern Notebook with Tyler Kline: Life cycles, carbon reclamation, our last universal common ancestor, black hole collissions… these are just a few topics that would inspire Nokthula Ngwenyama to compose her string quartet, “Flow.” And the common thread she discovered – and evokes musically – is that there is a common flow to our existence tying us to a universal energy.Plus: What good is art in the remembrance of pain?This question is what guided Barron Ryan when composing his piano trio “There Arises Light in the Darkness.” It’s music meant to assure all who grieve that someone else understands their pain… that despite suffering, there is still a reason for hope. -
Coming up on the next Modern Notebook with Tyler Kline: Reza Vali’s music is rooted is the traditional timbres and scales of Iranian folk music, and while his “Persian Suite No. 2” is no different, it’s cast in a more approachable manner. Scored for flute, piano, and string quintet, it uses Western scales and less complex rhythms to evoke the style of Persian folk song.Then: A blending of chant, natural processes, and echoes of Beethoven come together in Helena Tulve’s “Humming in my Bones.” Encompassing a sound world of prepared piano and other unusual techniques, it’s music that moves at a nearly geological slowness. -
On this week’s Modern Notebook with Tyler Kline: tune in for music that explores hymnody, heavenly sounds, earthly wonders, and simple pleasures, with a work by Nathan Hudson titled “God.” And in this piece, Hudson adapts the short story of the same name by Ben Loory.Then: Christopher Stark’s “The Language of Landscapes” explores our relationship with nature across four musical scenes guided by the friction and/or harmony created by synthetic and natural objects. In fact, the music makes use of found discarded objects, field-collected environmental recordings, and live electronic processing in order to make commentary on our wastefulness and resourcefulness. -
On the next Modern Notebook with Tyler Kline: tune in for music for violin and piano by Platon Buravicky titled “Angel’s Gaze,” and pieces by Margaret Brouwer and Gabriela Ortiz. And a work for brass by Lillian Yee titled “Miracles of the Human Condition.”Then: Composer Alexandre David says that he has always had a funny relationship with music as a listener, sometimes coldly analyziing it, and other times, allowing himself to be completely inhabited by it. We’ll hear a work of David’s titled “Photogrammes,” which explores this idea through musical transformation. -
On the next Modern Notebook with Tyler Kline: Much like a crystal, composer Linda Leimane says that there is a dual nature to sound: that it can be simultaneously “beautiful and ornamental,” as well as “hard and durable.” Tune in for Leimane’s “Crystal” for solo piano, a work which builds itself up from repeating gestures to a thrilling dramatic structure.Then: In the Buddhist tradition that composer India Gailey grew up in, the late founder spoke of “joining heaven, earth, and humanity.” Gailey saw this phrase as containing multitudes: that one could balance tender sadness with the light of compassion, unitiing vision and practicality, and letting go of dualism to integrate with the elements. These ideas would go on to inspire their work, “Butterfly Lightning Shakes the Earth.” -
On the next Modern Notebook with Tyler Kline: composer Juri Seo says that her solo violin work “One” embraces the “duality of time,” as both a flowing and static phenomenon. It’s music cast in 12 movements, each one representing the months in a calendar year.Then: The Earth is 4.5 billion years old – a length of time that, if compressed to 46 minutes, the existence of humans would only last 25 milliseconds. This is the basis of “An Atlas of Deep Time” by John Luther Adams, a work which the composer says is grounded in his desire to “hear the older, deeper resonances of the earth.” -
On this week’s Modern Notebook with Tyler Kline: we conclude our series of special wintertime programming, with music that evokes holiday season, including Dai Fujikura’s “Ghost of Christmas;” pieces that draws upon peace by Kimberly R. Osberg, Errollyn Wallen, and Jessie Montgomery; and songs of the advent by Owain Park and Kerensa Briggs. -
We celebrate the winter solstice. Listen for works inspired by the season from composers like Kitty Xiao, Lou Harrison and Melissa Hui, as well as pieces by Akemi Naito and Gifrants. Plus, “Winter Moons” by Jerod Impichchaachaaha’ Tate. -
On this week’s Modern Notebook with Tyler Kline: we continue our series of programs inspired by the Winter Season with music draws on stars and the night sky. Hear “A Very Star-Like Start” by John Liberatore, and more music about stars by Jessie Montgomery, Chris Opperman, David Fulmer, and others. And, it’s music of the night by Golfam Khayam, with the “Night Triptych” for two guitars, and new music from Caterina Schembri titled “I wake up in the night when I dream in black and white.” -
On this week’s Modern Notebook with Tyler Kline, we kick off a series of programs highlighting music inspired by the Winter Season. Tune in for an episode of music inspired by winter weather, silence, and stillness, including icy works by Outi Tarkiainen, Alfreo Santa Ana, and Anuj Bhutani; a work titled “Blue Glacier Decoy” by Jennifer Jolley; and “Hush” by Angelica Negron. -
On the next Modern Notebook with Tyler Kline: It’s music that is all about echoes with a work by Valentin Jost titled “Echo Chamber.” And throughout the piece, the composer explores the sensation of walking through a series of different echo chambers.Then: we conclude our series of interviews with composers from Sarasota’s Suncoast Composer Fellowship Program. This week, it’s conversations with Treya Nash and Sean Quinn.
