Each week, Tyler Kline journeys into new territory and demystifies the music of living composers on Modern Notebook. Listen for a wide variety of exciting music that engages and inspires, along with the stories behind each piece and the latest releases from today’s contemporary classical artists. Discover what’s in store on Modern Notebook, every Sunday night from 8 to 10 on Classical WSMR.
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On the next Modern Notebook with Tyler Kline: Called a “dream group” by The New York Times after just one concert, the ensemble Owls brings together members of Kronos Quartet and acclaimed soloists. Their debut album Rare Birds is built on joy, curiosity, and experimentation — ending with a 14-minute celebration of minimalism and 5/4 rhythm by Terry Riley.Then: A single chord for viola grew into something unexpected for composer Karin Rehnqvist — a piano improvisation, then an electronic voice that sounded like the sea. In her piece “I thought the sea would sing to me,” she explores the viola’s depths, from the warmth of the C string to shimmering quarter tones and playful musical gestures.
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On the next Modern Notebook with Tyler Kline: Some events seem to happen by chance — but still leave a lasting impact, from moment to moment, measure to measure. That idea is at the heart of Marc Mellits’ “Discrete Structures,” a set of miniature movements that connect and complete each other in surprising ways, drawn from shared musical material and personal moments of serendipity.Then: The trombone is often cast as the Big Bad Wolf or the Clown. But in Jonathan Dove’s “Stargazer,” it becomes something else entirely — a stargazer, searching the night sky while the orchestra shimmers around it, with subtle threads of Twinkle, Twinkle, Little Star woven throughout.
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On this week’s Modern Notebook with Tyler Kline: A combination of fairly disparate events led composer Damián Ponce de León to create his piece “The Butterfly Route:” one was the consideration of the complex features flight paths of butterflies; another, the murder of a Mexican environmentalist leader who devoted his life to protect Monarch butterflies; and finally, the realization that the thyroid is actually shaped like a butterfly.Then, we’ll hear a large-scale work by Louise Alenius titled “Stille Slag,” or “Quiet Beats.” And with this music, the composer asks: “What happens to the body when you are locked up? How do you hold on to yourself in an enclosed space?”
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Coming up on Modern Notebook with Tyler Kline: In mystical Islamic Sufi tradition, the creation of the universe is described as taking place in seven days - and this idea is the main source of inspiration for Mehmet Sanlikol’s work “Seven Sufi Vignettes.” It’s music that draws on specific passages of the Koran, as well as Sufi philosophy by mystics like Rumi.Plus, a work by Lo Kristenson titled Puls. It is music composed for strings… but also not. Because in the performance instructions for this piece, the composer instructs the players to “sing the same tone as you play, let your voice coalesce with the sound of the strings.”
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On this week’s Modern Notebook with Tyler Kline: “Nothing fancy - nothing extravagant.” That’s how Caroline Shaw describes her own work, “Thousandth Orange.” It’s “just something quite beautiful and everyday, that is enjoyed and loved and consumed and forgotten,” she continues. But then she notes how something so banal can also be completely celebrated in art - like bowls of fruit in still-life paintings.Then, we’ll hear otherworldly music grounded in photographs of abandoned Irish mansions with Oliver Leith’s “Big House:” a haunting string quartet that smears in and out of tonal centers, leans into microtonal music, and revels in blurry visions of these old photos.
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Each week on Modern Notebook with Tyler Kline, you can tune in and likely hear a composer completely new to you! And on the next edition of the show, tune in for an entire program of music by composers never before featured on the program.
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On this week’s Modern Notebook with Tyler Kline, it is a celebration of the 200th episode of the show! And Tyler will be sharing lots of great music featured previously on the show, a mix of works highlighting all the great things today’s contemporary classical landscape has to offer.
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Coming up on the next Modern Notebook with Tyler Kline: we’ll hear new string quartet music by Anna Meredith titled “A Short Tribute to Teenage Fanclub.” Also, music by James Lee III and Angelica Negron; and this piece by Andy Akiho for violin and steel pan titled “Deciduous.”Then: Sebastian Fagerlund’s “Chamber Symphony” is music that explores slow, nearly imperceptible transformation: the music grows out of stasis with material beginning to form various relationships, in the composer's words, "like musical components floating and rearranging themselves in a new order."
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This week’s Modern Notebook with Tyler Kline is a mix of music for Juneteenth, including Shelley Washington’s “BLACK MARY,” inspired by the Black American historical figure Stagecoach Mary; music by Courtney Bryan including her “Secondline for Black Love;” Nia Imani Franklin’s re-imagining of Aphrodite as “Afro-Dite;” and Alice Coltrane’s “Prema.”Plus works by Nathalie Joachim and Shawn E. Okpebholo inspired by historical moments in Black History; and the Piano Concerto No. 1 by Adolphus Hailstork, whose music draws on the composer’s experience as an African American and his own love of jazz and blues music.
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On this week’s Modern Notebook with Tyler Kline: Daniel Bjarnason’s orchestral work “From Space I Saw Earth” is music that dissolves the boundaries between the Earth and the moon, imagining a musical environment that is both terrestrial and paranormal. It’s also a piece originally composed to be conducted by three different conductors at once.Then, Cassie Wieland says her solo piano work “HYMN” is all about connection in a big way: for example, reading through handwritten sketches with the pianist at her apartment, or working on piano preparations together. It’s music that merges modern classical sounds with electronic processing within an evocative and colorful soundworld.
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On this week’s Modern Notebook with Tyler Kline we’ll hear a string trio by Nasim Khorassani that draws on an intensity of focus. It’s titled Growth, and throughout the piece the composer utilizes only four pitches to craft all of the musical material.Then,music by Shuying Li inspired by an episode of the Netflix Series “Black Mirror,” as well as pieces by Kati Agócs and Hannah Selin; and a work by Heather Stebbins titled “Among Arrows.”
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On the next Modern Notebook with Tyler Kline: Composer and pianist Stewart Goodyear fell in love with the violin as soon as he was introduced to music, and actually wanted to be a concert violinist before becoming a pianist. He was also surrounded by all kinds of different sounds and styles of violin playing, and in his solo work - titled “Solo” - he creates a fusion and “tour” of the music he loved throughout his childhood.Then, a piece by David Biedenbender that is inspired by a poem by Robert Fanning, which in turn is inspired by the art of Yayoi Kusama and a music video by Radiohead. The piece is called in a field of stars, and it’s music that is about how meaning is drawn from ambiguity.
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Coming up on the next Modern Notebook with Tyler Kline: Kisetsu means “Seasons” in Japanese, and it is the title of this piece by Somei Satoh for orchestra. It’s a work composed in 1999 as part of the New York Philharmonic’s “Messages for the Millenium” Series, and while the message of the piece looks forward… There is also an ancient, meditative quality to this music.Then, we’ll hear a masterwork of the 20th Century: Gyorgy Ligeti’s “Violin Concerto.” It’s a piece filled with rhythmic complexities, unconventional sounds from the orchestra, and sparkling harmonic figures in the violin.
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On this week’s Modern Notebook with Tyler Kline, we’ll hear music for Mother’s Day on the next Modern Notebook with a piece called “Wildflower” by Arturo Sandoval. Composed for harpist Yolanda Kondanassis, she says it’s a celebration of her own mother’s influence in her life, and of the irreplaceable role played by mothers everywhere.Plus, Pauchi Sasaki’s “Mother's Hand, Healing Hand,” a piece inspired by how often she tells her son how much she loves him. And, this piece by Natacha Diels titled “automatic writing mumbles of the late hour,” composed for Olivia de Prato’s Artist-Mother Project.