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Though Alex had been the guitarist in the family, when they formed Van Halen, it quickly became clear who would play: "[Ed] made that instrument sing." Alex's new memoir is Brothers.
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So many of the network's new prime-time series are like cafeteria casseroles: aggressively and intentionally bland. But late-night shows continue to offer spice in the form of biting humor.
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Journalist Eliza Griswold says complaints about homophobia, white privilege and diversity are splintering progressive organizations — including one particular church. Her book is Circle of Hope.
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Ken Tucker reviews Robert Hilburn's biography of Newman, A Few Words in Defense of Our Country. Plus, we listen back to a 1998 archival interview with the Grammy Award-winning artist.
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When the pope dies, backbiting, infighting and ruthless smear campaigning taint the effort to find his successor. Ralph Fiennes stars in a film perfectly timed for this nail-biting election season.
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Kaphar draws on his own painful relationship with his father in his film, Exhibiting Forgiveness. He says the project gave him "a sympathy for my father that I never had as a young man."
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Nick Harkaway grew up hearing his dad read drafts of his George Smiley novels. He picks up le Carré's beloved spymaster character in the new novel, Karla's Choice.
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In Charles Baxter's new novel, a small-town insurance salesman buys a blood test that can predict romantic entanglements, promotions — and more. It's a screwball satire of all-American zaniness.
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New Yorker writer Susan Glasser says Trump is highly transactional, so billionaires may be betting on access and a seat at the table if he’s re-elected. It’s what some of them got in his first term.
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Everett never felt like she fit in her hometown of Manhattan, Kan. After moving to New York City and developing a cabaret show, she returned to Kansas for her HBO show Somebody Somewhere.
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The animated film Piece By Piece traces Pharrell’s early life in Virginia Beach to music superstardom. Elvis’ granddaughter says it was her "duty" to finish Lisa Marie Presley’s memoir.
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Anora is easily one of Sean Baker’s funniest works — and also one of the saddest. The film won the Palme d'Or at Cannes, and the director says it's dedicated to sex workers "past, present and future."